I’m a sucker for bright color; it makes me happy. And hibiscus provides plenty of bright color when it’s in bloom.
Summer is more than half over and I feel like it just started, so here’s a little flashback to the very end of spring. These trees are in the courtyard of a residence hall attached to a Disciples of Christ church on Wright Street, photographed with Fuji Superia 400 in my F100.
I seem to have a thing for irises and daylilies. Not only are they both ubiquitous in local gardens, but they come in a staggering variety of colors and sizes. I used Portra 400 in my F100 for this bloom found on the walk home from the bus stop.
Chicory grows everywhere around here, especially on abandoned or unkept lots, or on the edge of the road out in the country. I decided to go for a little drama with this bloom on an abandoned lot, taking advantage of my X100’s electronic viewfinder to stare into the sun as long as I needed without hurting my eyes. 🙂
When the day of Pentecost had come, they were all together in one place. And suddenly a sound came from heaven like the rush of a mighty wind, and it filled all the house where they were sitting. And there appeared to them tongues as of fire, distributed and resting on each one of them. And they were all filled with the Holy Spirit and began to speak in other tongues, as the Spirit gave them utterance. (Acts 2:1-4)
Two of my neighbors grow these red irises, and I was fortunate to capture one of them this year just in time for Pentecost.
Thankfully, this spring has been much milder than last, and the sakura at Japan House bloomed right on schedule in mid-April.
The Tamron 90mm macro lens shines when used as a macro lens and focused manually. It most emphatically does not shine as a replacement for a fast AF 85mm; its AF motor lacks snap and the ability to track rapidly. Since I don’t own a fast 85mm, I’ll sometimes spray-and-pray with the Tamron and hope for the best, which turned out all right for me in both these images.
Depending on the calibration of your monitor, you may or may not see subtle texture in the background of this shot. It doesn’t show up in prints made on my Epson 3880 with my usual B&W process, and I’m not sure it’s worth it to tweak the print to make it show up, as the light sakura really pop against black.