The 21st-Century Geographer
My son John is into maps these days. Really into maps. As in, he’ll spend all day wandering around the world on Apple Maps if I let him. Not that I object, mind you; I have loved playing with maps ever since I can remember, and I have benefited greatly from it. John even got an atlas and a globe for his birthday this year, and a co-worker gave me a couple maps of central Germany that the boys have enjoyed trying to unfold and re-fold. When I needed an idea for John’s birthday portrait, all this mappery got me thinking about Jan Vermeer’s masterpiece from 1669, The Geographer. Let’s look at it, shall we?
If I’m doing a homage to Vermeer, I need to start with broad window light, and the window must at least be indicated in the frame. Vermeer has more shadow control than I do; he can selectively dodge or burn shadows by choosing where he paints detail. I want my shadows reasonably legible, so I’m going to put a fill light opposite the window, with a gel for a bit of warmth, as if an incandescent lamp were on somewhere across the room.
I decided to go McNally for the key light and tape a queen-size sheet to the outside of the window. Given the size of the light source, I wanted to use two strobes for even illumination, which failed when I found that I didn’t have the right kind of cords to connect all the synchronization terminals together. Some PocketWizards would have been real handy at this juncture, but alas, I didn’t have them.
My next solution was to put my SB-800 in SU-4 mode, which turns the IR receiver into a simple optical slave. I then set up my 60″ Photek Softlighter outside the window, umbrella only (no front scrim), and set the SB-800 to fire into the umbrella, which would then reflect through the window. It provided lovely quality at the expense of quantity; I had to put the SB-800 on full power and bump my camera’s ISO up.
The SB-800 would be triggered by my fill light, an SB-600 attached via sync cords to my camera, shooting at the window through an umbrella. I was working through the noon hour, and everything was fine until about 12:10, when the angle of the sun was just right to interfere with the SB-800’s IR receivers. About 20 minutes later, clouds covered the sun for 30 seconds or so, during which I shot madly and got my photograph. I then shot a second frame with more exposure for the iPad screen and composited the two in post.
Vermeer’s composition emphasizes the face of the central figure, whose expression suggests a sudden flash of insight, something so astounding that he has to grab the book in his left hand to steady himself. I suppose my composition is commentary on all the different ways we can now represent our world: the light-up globe, the iPad, the mass-produced student atlas. John holds a pair of dividers he can use on the map spread out in front of him, but the little smirk on his face asks: with all these other tools, does he really need them?
I wouldn’t say this was a fun picture to take, with all the technical glitches, but it was rewarding.