Ektar 100 – Architecture
While I was still shooting my way through a roll of Ektar 100, I decided it had been too long since I had strolled around the northernmost part of campus, unofficially called the “Beckman Quad” because of the Beckman Institute on its northern edge. The walk gave me a chance to see how Ektar handled contrasty midday light.
Here is the upper façade of the new Electrical Engineering building, which I think looks much better from the inner (quad) side than from the street. The architect evidently wanted commonality in difference by cladding the building in red-orange metal or plastic, instead of the customary red or orange brick.
The colors are punchy and dramatic but not inaccurate, and the shadows are pleasantly neutral.
I first experienced the University of Illinois through a tour of the Beckman Institute when I was a sophomore in high school. Because of that tour, the use of advanced technology to investigate complex problems on the frontiers of knowledge dominates all my other perceptions of the University, and I have a particular affection for the Beckman building.
Shortly after the Siebel Center was dedicated, a pair of large sculptures were set up on either side of the walkway to its north. This one, called the “House of Imagination,” makes me think of a computer-age Stonehenge.
The one quibble that can be made against this image is a heavy blue cast in the shadows. Now, most shadows under clear skies are blue; after all, they’re being lit by diffuse blue light from the sky. Still, the blue shift here is a bit excessive, and I probably should have added a little extra exposure.
Here’s a pure reaction shot. I lay down on the ground inside the ring of three pillars, and as I brought my camera to my eye I saw the cloud tuck itself neatly in position. I made about five other frames, attempting to grab different configurations of cloud and sculpture, but none of them were as good.
Just as I was with Portra 400, I’m hooked after one roll of Ektar 100. The colors are beautiful, the grain is ridiculously fine, and it’s a lot of fun to shoot. I’ll probably stick with Portra as my all-purpose film, but the next time I want to shoot some landscapes or sunsets on film, I think I’ll reach for the Ektar.